![]() ![]() DXR is not quite production ready yet and requires a lot of manual configuration per table. This project will not use any DXR features at this time due to the relative immaturity of that feature set in Unity. This supports high quality rendering and works best for VPE's needs at the moment. The first of these is HDRP, the High Definition pipeline. The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.The current plan for VPE is to roll out optimized pre-configured projects for each pipeline. (featured image: Vittorio Zunino Celotto/Getty Images for RFF) Even if he shed his racism, xenophobia, and fatphobia, Burton would not have the range to do anything other than make something visually look like he had a hand in it, let alone tell a story with a diverse cast. As a fan of Ortega, Ricci, and the character as a whole, I want this to be good, and I want Burton to progress past thinking tales about underdogs and weirdos are stories for and about white people. For a streaming service that’s very buddy-buddy with the concept of a paper bag test (among many other issues), this shouldn’t be surprising, but it’s disappointing nonetheless. ![]() People can grow, but doubling your cast of people of color on one project with nothing else to show you’ve made progress as a person makes me think you will continue to tokenize your actors instead of seeing them as your creative peers. Instead of just wanting to be more inclusive in Batman, Burton intended to use Williams’ race to dramatize the two sides of Harvey Dent, and considering how crassly Burton talks about race, I’m glad that was scrapped for the following movie.ĭespite Wednesday coming from a multi-ethnic family (which is a running homage to the original intention of how the family was designed), like much of his other works, Burton will probably (in his eyes) “make up for” this by making sure to have them written and staged as Eurocentric as possible, as he’s done for many other stories in the past. Roy plays an army of happy brown servants, and Parker would not have been cast if she were darker-skinned or had non-famous parents (that is, Ol Parker and Thandiwe Newton). The supporting characters that come to mind are Billy Dee Williams in Batman (1989), Deep Roy in Charlie and the Chocolate Factory (2005), and Nico Parker in Dumbo (2019). Let’s look at this and widen it to visible people of color. Some defended his comics with a flurry of equally (if not worse) racist statements and sentiments, but others took this as a moment to defend his employment of key Black roles. ![]() (My money’s on The Nightmare Before Christmas.) On the other end of the spectrum, there’s family and intra-community pushback that Tim Burton’s work is something along the lines of “white people shit.” Burton’s comments echoed all of that. Something that hurts more than this comment is that many people of color who’ve dipped their toes in the alt aesthetic (maybe under another name like “emo” or “goth”) in their youth have heard versions of this justification among friends and peers who definitely made a Tim Burton movie their entire aesthetic. ![]()
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